I am very pleased to announce that I have been selected as a participant in the 2014 June in Buffalo Festival for emerging composers. I will be in residence at the University of Buffalo on June 2-8 for the event, and my flute-percussion duet “Rituals and Superstitions” will be performed on one of the Festival concerts. I am greatly looking forward to this exciting opportunity and will post more details as they become available. Until then, general information about June in Buffalo can be found online at http://www.music.buffalo.edu/center21c/jib, and/or you can listen to the premiere performance by Kelli Kathman and Bill Solomon below.
The first two weeks of March will be a busy time for me! In addition to presenting my research about Ellen Taaffe Zwilich at the Society for American Music National Conference on March 7 (see an earlier post about this event here), I’ll be making trips to Westfield State University for their Festival of New Music on March 2 and Mansfield University for a residency with the Cadillac Moon Ensemble on March 10.
As part of the Westfield Festival of New Music, the Boston New Music Initiative will be performing my First Praise. I am very excited to work with the talented musicians of BNMI again and am fortunate they have chosen to present the work for the second time this season (the first being the Parma Music Festival/SCI Region I Conference back in August). The concert will also feature works by Taila Amar, James Crowley, Sungji Hong, Cody Kauhl, Rodrigo Lima, Jeffrey Shivers, and Frederic Rzewski performed by BNMI and by the Connecticut-based Generous Ensemble. In addition to participating in the concert, I will also be conducting a masterclass at the University and am greatly looking forward to meeting with the students.
The following week I will head to Pennsylvania for a short visit at Mansfield University, where I will also have the opportunity to work with students. While I am at the University, the NYC-based Cadillac Moon Ensemble will also be in residence and will be performing a program featuring premieres by Andrew Walters and myself. Having heard a reading session this past week that included my new string duo You, As You Were Before You Existed and a number of other works written for the CME, I can guarantee they will put on a great show!
As if that was not enough to keep me busy, I’ll also be in Connecticut for the weekend portion of the Women Composers Festival of Hartford on March 6-9. (Check back soon for a post about this staple of the Hartford music scene.) I hope to see you at one or more of these fantastic events!
My sextet First Praise has been selected for inclusion in the SCI Journal of Music Scores. Published by European American Music, the Journal of Music Scores is a juried anthology of music written by members of the Society of Composers, Inc. I am honored to have my piece included alongside the following works:
Corey Keating – As the Night Blooms
Philip Schuessler – Monochrome Variations
Nolan Stolz – Princess Kaiulani
Bryce Cannell – Refractions
Federico Jes Bonacossa – Rivir
Jay Batzner – Silhouettes, Receding
Jacob Walls – Whitening Thirst
Check back for more details about when this volume will be available!
I am excited to report that I was chosen as the Alternate Winner for Region II in this year’s SCI/ASCAP Student Commissioning Competition for my work First Praise. A full list of the winners can be seen on SCI’s website at http://societyofcomposers.org/index.php.
I’m pleased to announce that my paper “Disruption and Development: Pitch Processes in the Music of Ellen Taaffe Zwilich” has been selected for inclusion in the 2014 Society for American Music Conference in Lancaster, PA on March 5-9. The SAM will be presenting Dr. Zwilich with an honorary membership at the conference and was particularly interested in research about this illustrious composer. My paper will be presented on the “Compositional Processes” session, which is tentatively scheduled for Friday, March 7 at 10:30 am. I’ll have more details about the conference after the New Year, so check back!
This Saturday, Nov. 2, my fixed media work “Not One Would Care” will be included in the New Horizons Music Festival at Truman State University (Kirksville, MO). The Festival includes a number of traditional concerts as well as a gallery … Continue reading
On August 15-17, I will be heading up to Portsmouth, NH to participate in the Parma New Music Festival/SCI Region I Conference. My friend and frequent collaborator, Mike Lunoe, will be attending to perform my “St. Teresa in Ecstasy” for … Continue reading
My First Praise for mixed chamber ensemble was recently honored with the CUNY Graduate Center’s Robert Starer Composition Award, which is given annually to an exceptional student work. The official Music Department announcement can be viewed here. First Praise was written for the Cygnus … Continue reading
This weekend, the Hartford Independent Chamber Orchestra with soloist Alexander Kollias will premiere Twisted Blue for clarinet and chamber orchestra. Commissioned by the orchestra, this project has been two years in the making, and I am thrilled to see it come to … Continue reading
On April 13, I will be giving a paper entitled “Disruption and Development: Pitch Processes in the Music of Ellen Taaffe Zwilich” at the annual meeting of the New England Conference of Music Theorists. This research is a small portion … Continue reading
I am pleased to announce that “To Think on You” (2012) for tenor and piano recently received the Boston Metro Opera Contempo Festival’s Advocacy Award. The announcement of this and many other awards can be found here. Created for the 2013 … Continue reading