“This World of Yes” Tour

I am very happy to announce that mezzo-soprano Megan Ihnen and saxophonist Alan Theisen will perform Epilogue on their upcoming tour.  Their program, “This World of Yes,” features a number of twenty-first century compositions from a diverse group of composers.  Tour dates and locations are:

  • Nov. 13 at 7 pm at Xavier University in New Orleans, LA
  • Nov. 14 at 7 pm at Highlands United Methodist Church in Birmingham, AL
  • Nov. 15 at 7:30 pm at Western Carolina University in Cullowhee, NC
  • Nov. 16 at 7:30 pm at Mars Hill University in Mars Hill, NC

Megan and Alan have previously performed the program in Fort Wayne, IN; Kansas City, MO; and Lamoni, IA.  A video of one of their past performances can be found here:

 

Ensemble for These Times Call for Scores Winner

I recently received the good news that There Will Come Soft Rains for unaccompanied voice was chosen for performance by the Ensemble For These Times in their inaugural Call for Scores.  Selected from over 200 submissions, the piece will be performed during the 2016-17 concert season.  I am very excited to be working with this great ensemble and am honored to be among the composers chosen (see the official release for a full list of winners).

This work is now available through the online store – click here to listen to a recording, view a perusal score, and/or purchase downloadable sheet music.

Riot Ensemble Commission

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2015-16 is shaping up to include a number of collaborations and premieres that I am extremely excited to start working on. The first of these is a commission from the UK-based Riot Ensemble.  As one of three winners from their recent Call for Scores, I will be composing a new work for soprano, flute, harpsichord, and two percussionists to be premiered in London on Nov. 17, 2015 (click here to read the official announcement).

Though a number of my recent works have featured flute and/or percussion, it’s been a couple years since I’ve written a vocal piece.  I’m looking forward to composing for the voice and working with text again. (Spoiler alert: one of my other commissions for next season also involves voice – check back soon for details!)  I’m also excited about the prospect of writing for harpsichord, which I’ve never before had a chance to include in any of my works.  If you’ve got any favorite works involving harpsichord, I’d love to check them out, so please share in the comments section!