Iseult Speaks for Mezzo-Soprano and Large Ensemble (2016)

Instrumentation: Mezzo-soprano and Flute/Picc., Oboe/Eng. Horn, Clarinet/Bass Clarinet, Bassoon, Horn, Percussion, Harp, and Strings
* Also available for Mezzo-soprano and Piano
Duration: 40:00
Text by: Elizabeth Hamilton
Availability: Score/parts available for rental.  Contact the composer for more information.

Commissioned by the Hartford Independent Chamber Orchestra



Rudman_IseultSpeaks_2023-05-09_00_Transposed Score

Iseult Speaks is an extended song cycle for mezzo-soprano based on a retelling of the Tristan/Iseult myth. For those of you who might not be familiar with the story, the basic outline—and there are many variations on this skeleton—is that Tristan is supposed to bring Iseult to marry his uncle, but on the way they fall in love, usually because of a potion they accidentally ingest. Portrayals of Iseult range from passive cypher to tragic heroine to wanton seductress, but she is almost always cast as a one-dimensional accessory to Tristan.

Elizabeth Hamilton’s evocative and provocative poems reexamine the legend from Iseult’s point of view, here somewhat omniscient and shaded with a modern sensibility that links the tale to contemporary experiences. The text touches on questions of gender roles, societal pressure, and personal power as the narrator contemplates her life, rages against the unfairness of fate, wallows in memories of physical affection, condemns Tristan for his inaction, and vacillates between confidence, insecurity, hope, and despair.

It has been a pleasure setting these gorgeous poems, and I want to thank Elizabeth for trusting me with her words!

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